“Hey there [Generic name]!”
[Generic name] looked up from his desk to see a portly man of forty hovering outside his door. It was Samuel Rosenblatt the court’s temporary stenographer, who was filling in for Marie. Marie, the usual stenographer, had taken off a few weeks ago due to her eventual delivery of her forth child. It had only taken two short conversations with the rotund replacement for [Generic name] to know that any further exchanges with this man would be needlessly annoying. And much like anything that is needlessly annoying in life, Samuel Rosenblatt always seemed to be lurking behind every corner, waiting to pop out and irritate him. Having a conversation with Sam was like being stuck driving a manual transmission in traffic, while your dentist preformed a root canal on all of your molars. [Generic name] kept his head down and started scribbling madly on the report in front of him, hoping to ignore the situation and pretend to not have heard the man. But it seemed that today Samuel R. was in the mood for a conversation and he walked right into [Generic name’s] office anyway.
“Terrible day to be stuck in some office, wouldn’t ya say there [Generic name]?” asked Sam.
Forced with the decision of being either terribly rude and continue to ignore the man or facing another dull bantering battle of nitwit-dom with Sam, [Generic name] sighed and politely looked up from his desk to reply, “I’m sorry, what was that?”
Sam made that horrible shrill sound he often made, which [Generic name] had only assumed up to this point was laughter (if it could be even called that), and repeated himself. “I asked you [Generic name], if you thought it was a terrible day to be stuck in some office… So, wouldn’t ya say that it’s a horrible day for that?”
[Generic name] forced a curt smile. “Gee Sam, I hadn’t noticed what kind of day it was being that I am so busy…”
Often when I read the dialogue of novels and short stories (especially short stories) I come across a fictional phenomena that really bothers me, and this is when I read the names of the characters spoken by the said characters in dialogue. It just doesn’t seem like it is a natural way of communicating with anyone, let alone someone a character knows and trusts (like a friend or loved one). But even in a formal situation like the one above, where co-workers are involved, the dialogue is somewhat forced when an author adds the names of his characters in there.
I know that it is just a tool for an author to use in order that his audience may not get confused upon who is currently speaking, but I resent the fact that the author has decided his audience is too obtuse to follow along in a simple conversation. It is as annoying as the character, Samuel Rosenblatt, I newly contrived to iterate my point, or as irritating to read as my [Generic name], which crops up so often in distracting opposing colors. When I read names being dropped with such frequency, I heedlessly lose comprehension of what is actually taking place within the detail of the story. Much like anything needlessly annoying in life that same [Generic name] just keeps popping up out of nowhere...
[Generic name] looked up from his desk to see a portly man of forty hovering outside his door. It was Samuel Rosenblatt the court’s temporary stenographer, who was filling in for Marie. Marie, the usual stenographer, had taken off a few weeks ago due to her eventual delivery of her forth child. It had only taken two short conversations with the rotund replacement for [Generic name] to know that any further exchanges with this man would be needlessly annoying. And much like anything that is needlessly annoying in life, Samuel Rosenblatt always seemed to be lurking behind every corner, waiting to pop out and irritate him. Having a conversation with Sam was like being stuck driving a manual transmission in traffic, while your dentist preformed a root canal on all of your molars. [Generic name] kept his head down and started scribbling madly on the report in front of him, hoping to ignore the situation and pretend to not have heard the man. But it seemed that today Samuel R. was in the mood for a conversation and he walked right into [Generic name’s] office anyway.
“Terrible day to be stuck in some office, wouldn’t ya say there [Generic name]?” asked Sam.
Forced with the decision of being either terribly rude and continue to ignore the man or facing another dull bantering battle of nitwit-dom with Sam, [Generic name] sighed and politely looked up from his desk to reply, “I’m sorry, what was that?”
Sam made that horrible shrill sound he often made, which [Generic name] had only assumed up to this point was laughter (if it could be even called that), and repeated himself. “I asked you [Generic name], if you thought it was a terrible day to be stuck in some office… So, wouldn’t ya say that it’s a horrible day for that?”
[Generic name] forced a curt smile. “Gee Sam, I hadn’t noticed what kind of day it was being that I am so busy…”
Often when I read the dialogue of novels and short stories (especially short stories) I come across a fictional phenomena that really bothers me, and this is when I read the names of the characters spoken by the said characters in dialogue. It just doesn’t seem like it is a natural way of communicating with anyone, let alone someone a character knows and trusts (like a friend or loved one). But even in a formal situation like the one above, where co-workers are involved, the dialogue is somewhat forced when an author adds the names of his characters in there.
I know that it is just a tool for an author to use in order that his audience may not get confused upon who is currently speaking, but I resent the fact that the author has decided his audience is too obtuse to follow along in a simple conversation. It is as annoying as the character, Samuel Rosenblatt, I newly contrived to iterate my point, or as irritating to read as my [Generic name], which crops up so often in distracting opposing colors. When I read names being dropped with such frequency, I heedlessly lose comprehension of what is actually taking place within the detail of the story. Much like anything needlessly annoying in life that same [Generic name] just keeps popping up out of nowhere...
10 Feedback:
I agree, I've noticed the same thing before. When I'm talking to someone, I very rarely use their name.... they know I'm talking to them, and they know who they are, so why would I need to remind them every sentance? Also you'd think the author would notice as they're writing it how many times they've written the people's names and realize how annoying it is.... but I guess they don't care....
I hardly ever use people's names when I'm talking to them, unless I have to shout across a room or need to get someone's attention.
But I once worked with a guy (a journalist) who inisted that you should always use people's names as much as possible when you're talking to them - and that it was really impolite not to.
He used it in his writing too...I thought he was just weird. No, hang on a second - he really was weird...
Or it could just be a generation thing; he was pretty old...
Eh, I've found that we only use people's name extraordinarily frequently when we first meet (or we should) so that we can commit the name to memory. Possibly, as it was a short story it appears you were reflecting upon - it was the author's goal to assimilate the reader to his characters as quickly as possible? I dunno - as a teacher I use names all the time - it's the only way a student knows precisely which of them i'm attempting to get back on track. Otherwise, I'd agree, we don't use people's names very frequently, it seems rather formal, though maybe its just being polite...?
I don't use names really when I'm speaking, but I have to say when I'm writing I guess I do - without really noticing I spose. When I'm talking it's only to get someone's attention...
It is a very formal thing to use one's name when talking to them. It shows a sign of respect and it is something much lost on the last few generations... But when an author uses it so frequently in a story, what I was saying, is that the dialogue becomes so artificial...
I guess you guys agree...
Like I said in the post, it is probably a tool for an author to help the audience remember who is talking at in the story, and I agree with you Kristy that it may help the audience learn the names of the characters, but is it truly that necessary in at all in the actual dialogue? I mean, one could always keep writing, "'blah blah blah,' said [Generic name]" and still get the same effect... Repetition of the name in both instances seems, well, like an unnecessary annoyance...
Oh, and by the way Kristy, I am not sure if you knew or not, but the dialogue in the post was made up by me to serve my purpose for the post... I only say this in assumption after reading your line, "Possibly, as it was a short story it appears you were reflecting upon..." Perhaps it was not your intending meaning, but that is how I took it...
oh and niki, where's my goddamn story of the dog? I am really anxious to see how that turns out...
he he he...
Yes, I believe that I knew you made the dialogue up - I think I simply assumed, something you had read had triggered the response (ie the post) or otherwise, you wouldn't have written it? Or, maybe you are just insane ;)
call me insane...
nah, i dunno...sleep deprived might be more accurate than insane! :P
nope just inane
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